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HENRY LLOYD-HUGHES

chats with TESSA SWANTEK
about his role in
AMC series

RAGDOLL

Photography Cully Wright
Fashion Editor Deborah Ferguson

Henry Lloyd Hughes is an English actor and fashion connoisseur as the Creative Director of family sportswear company N.E.Blake & Co. (we’re not sure that he would give himself that title, but we certainly do!). He has played many characters with looks that are rarely forgettable as Hughes often jokes that his CV is split between characters with a handlebar mustache and those without, and fondly recalls various tech bro fleeces he wore in Killing Eve. One of his more memorable looks is as the fallen and considerably rugged Sherlock Holmes in Netflix’s The Irregulars. Lloyd recently stepped into a new, and very different, rugged detective role as DS Nathan Rose in Ragdoll whose ruggedness lies in his intense emotional turmoil throughout the series. The “looks” of his characters never overshadows his brilliant portrayal, which could not be any more evident than in his role as Nathan Rose. The thriller follows DS Nathan Rose, DI Emily Baxter (Thalissa Teixeira), and DC Lake Edmunds (Lucy Hale) as they embark on a gruesome case of a “ragdoll”- a body sewn together using dismembered parts of six murder victims. The ragdoll killer sends the team a list of his next victims, one being DS Nathan Rose. As the series progresses, we learn of Rose’s personal connection to the case and the trauma that follows. In our interview with him, Henry Lloyd Hughes comes across much more lighthearted than his character as he tells us about his role as Nathan Rose, comes to a realization that he should have possibly been a silent film star, details his very fashionably moderate full leopard fleece tracksuit, and recalls a mistaken and humbling round of applause from the Ragdoll cast.

Jacket & pants: Willy Chavarria

Many in your family were actors or have been involved in the entertainment industry in some way. With such a strong line of interest, I’m curious to know what you think attracted a lot of your family to the industry? Is it all for different reasons?  

Yes, lots of different reasons I’d imagine. My grandfather was a film obsessive; after acting and producing, he ended up lecturing on film in Australia. His father, my great grandfather, was a film hairdresser. My grandmother preferred the theatre, my mother too. There’s a bit of a genetic disposition for sure, but then we have all gravitated to different places.

T-shirt & pants: Willy Chavarria

Jacket, pants & moon boots: Kenzo Paris, Coat: Paul Smith

On that note of family ties, you also are now the Creative Director of N.E. Blake & Co., your family’s sportswear company founded in 1926. What do you feel most proud of regarding the brand? 

That it’s still here! Keeping that corner of family history alive is the best part of what I do with N.E. Blake & Co. It’s a bit of a forgotten genre, the small family sportswear company. We’re used to everything now in that sphere being giant global corporations, whereas we make beautiful stuff (in my opinion) on a very small scale. I’m a nerd for it, so that’s what keeps me going.

Reflective hood: H&M Studio, Shirt, pants & loafers: Paul Smith

Jacket, pants & moon boots: Kenzo Paris, Coat: Paul Smith

As a fashion lover yourself, if you could pick two fashion pieces in your wardrobe that you think describe your personality the best, what would they be? 

I’ve got an old WWII flying jacket that I inherited from my Dad, which I’m fond of for sentimental reasons and a vintage Omega Speedmaster watch. I bought a tuxedo from Dries Van Noten for my 21st birthday with money I’d saved and my Liberty’s staff discount (I used to work there) and it’s a timeless classic. Dries Van Noten, for me, has always been in a class of his own. Whenever he does something and I don’t understand it, I go back to it a year later, and I realise he was right! There’s a bespoke Drake’s tweed suit that fits me like a glove…I’m making myself sound like an old man. But, it’s hard to pick. I’m pretty classic in my tastes- but everything in moderation including moderation- that’s why I’ve got a Monitaly full leopard print fleece tracksuit.

T-shirt: Martin Asbjorn, Jewelry: Actor’s own

Jacket & pants: Willy Chavarria, Boots: Kenzo Paris

Out of the characters you’ve played, are there any in particular who have a specific style or signature look that you think expresses their character well? 

Hopefully all of them! I’m quite pleased with the tech bro fleeces Aaron Peel had in Killing Eve. In Joanna Hogg’s film Unrelated, I had to pick my entire costume from my own clothes, so maybe that film should get a special mention as I picked all my outfits, from baggy old linen shorts and shirts inherited from my Dad, to a battered hat.

Jacket, pants & moon boots: Kenzo Paris, Coat: Paul Smith

In watching the first episode of Ragdoll, I was immediately intrigued by the first few minutes in which your character, Nathan Rose, doesn’t speak at all, but his facial expressions in the first few scenes transport us to his frame of mind and the narrative that follows very quickly. Through your acting without dialogue, what do you think the audience would immediately know about Nathan or want to know about Nathan? 

Haha maybe I should’ve been a silent film star! There’s a lot to be said for letting scenes/characters breathe on screen. For just watching someone, it can be really powerful. Hopefully in the opening sequence to Ragdoll, we see this is someone who has seen a lot of dark stuff, and is struggling to process this, and live a life that anyone would consider healthy.

Something that many are also finding interesting about the series is that the story is so dark and gruesome, yet creator Freddy Syborn opted to include humor since he was interested in the way that it is often used as a defense and coping mechanism. How did you conceptualize the role of humor to express Nathan’s character? 

Surely a defense mechanism, as a shorthand, and currency to deflect and bond with his colleagues. But it’s astonishing how much gallows humour exists in those areer positions, and Nathan is a product of that system. He’s also very funny, but close to the edge of losing his mind- but we’ve all been there, right?!

Jacket, pants & moon boots: Kenzo Paris, Coat: Paul Smith

I saw in another interview that Thalissa Teixeira said that she watched several crime dramas and listened to crime podcasts to prepare for the role. Did you prepare this way? 

Sure, I watched some of those Korean films that Thalissa was sent. I also did a few FBI cold case podcasts, which were very extensive in the details of heavy/grim cases and what it can do to the mental state of people working those cases. Podcasts can be great for loading facts, whereas the dramas helped inform the look and physicality as well.

Your character’s relationship with DI Emily Baxter [Thalissa Teixera] underpins much of the series and their familiarity with each other and their workspace is evident as soon as they walk into the room to view “ragdoll.” How would you describe the relationship between the two if you could only use a few words? 

Can’t live with each other, can’t live without each other.

T-shirt & pants: Willy Chavarria

Is there a particular scene or line of dialogue that sticks out to you when thinking back on filming? 

“Chambers got his end away with the Editor of The Funday Times” is a perfectly obscure British reference which only Freddy could write, and really gave me some joy.

Any fun behind the scenes story you can share? 

I said the final words that I say to Baxter in the whole series, and there was hushed silence followed by a huge round of applause. I was really touched and moved that the entire crew were so invested in their relationship. Then I realised that England had just qualified for the Semi Finals of the Euros and that’s why everyone was clapping.

What can we look forward to next from you? 

Mammals for Amazon, then Chevalier for Fox Searchlight, and then Marriage for BBC One!

Suit & t-shirt: Martin Asbjorn, Shoes: Sebago